Affiliates
CMRS-CEGS Affiliates are scholars who have a Ph.D. and specialize inany aspect of studies of the periods from the 3rd to the 17th century CE across the globe. Candidates for CMRS Affiliate status must be nominated by a CMRS-CEGS faculty member and approved by the Faculty Advisory Committee. Appointments are usually granted for periods of two or three years. CMRS-CEGS Affiliates are generally scholars who have received the Ph.D. degree recently and for whom an affiliation with the Center will promote their professional growth.
Brittany Asaro | Italian, University of San Diego Medieval and early modern Italian literature, love by hearsay, physiology of love, love treatises, Luc'Antonio Ridolfi, Boccaccio. |
Leanne Good | Cultural historical geography; early medieval political organization in western and central Europe. |
Kristina Markman | History, UCLA Medieval east-central Europe, Baltics, and Rus', Northern Crusades, chronicles, cross-cultural interaction and representation |
Italian, Yale University Dante; intersection of medieval medicine, science, and literature. |
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Emily C. Runde | Text Manuscripts Specialist, Les Enluminures Medieval English literature, medieval manuscripts, theories and pedagogies of reading in the vernacular, book history. |
Ryan Schwarzrock | Medieval Iberia, Islam and Christianity, twelfth-century burgher revolts, medieval history writing, cartulary-chronicles. |
Kristine Tanton | Art History and Cinema Studies, University of Montreal Medieval art, architecture, and visual culture; Romanesque sculpture; liturgy; epigraphy; monasticism; word and image studies. |
Sara Torres | Postdoc, English, University of Virginia Medieval and Renaissance English literature; Iberian literature; history of the book and manuscript studies; literature of the Hundred Years War; travel literature. |
Shannon L. Wearing | Medieval art and architecture, especially 12th- and 13th-century manuscripts; Iberia and the Mediterranean; cartularies; gender; ideology; identity. |
Erica L. Westhoff | University of Nevada, Reno Early modern Italian comic theater and theories of comedy; Renaissance patronage networks, especially the relationship between political power and cultural production; the medieval short story. |