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The Future Is Now: Art & Technology in the Renaissance & Beyond

Friday, November 18, 2016 @ 9:30 am - 5:00 pm

CMRS Symposium

The Renaissance was a period defined by visions of the future. Renaissance humanists including Petrarch, Dante, Leonardo Bruni, and Vasari expressed a concern for the future, fame, and posterity. At the same time, European explorers, merchants, soldiers, and missionaries traversed the globe fueled by visions of the future as well as imperial ambition. Renaissance discoveries, inventions, and developments generated a sense of excitement and wonder but also concern for the future among Europeans. At times, enthusiasm and optimism transformed into anxiety about these new worlds, finds, and fantastic devices.

This symposium takes as its inspiration the works of: Renaissance genius Leonardo da Vinci (1452-1519), prolific artist and inventor; the Spaniard Gonzalo Fernández de Oviedo (1478-1557) whose explorations in the Americas led to discoveries of new plants which forever changed art and medicine; Italian clockmaker and engineer Juanelo Turriano (c. 1500-1585) who altered scientific understanding of kinesiology and motion with his new clocks, winding springs, and lifelike automata; and Andreas Vesalius who along with French printmaker Charles Estienne produced landmark editions on human anatomy that revolutionized western medicine.

This conference, organized by Charlene Villaseñor Black (UCLA) and Mari-Tere Álvarez (The J. Paul Getty Museum), examines the intersections between the new science, artistic rebirth, and European imperialism in the overlapping worlds of science and art and how Renaissance artists, thinkers, and scientists explored, invented, and theorized about this “brave new world.”

Support for this symposium is provided by the Endowment for the UCLA Center for Medieval & Renaissance Studies.

9:30 Registration, coffee, pastries
10:00 Opening Remarks
Massimo Ciavolella (CMRS Director, UCLA)
Charlene Villaseñor Black (UCLA)
Mari-Tere Álvarez (The J. Paul Getty Museum)
Reflections On Art And Science
10:30 Roger F. Malina (University of Texas at Dallas)
“Myth of Two Cultures: Hybrid Practices that Bridge the Arts, Sciences and Technology Today”
11:00 Open Discussion
11:30 CoffeeBreak
Reflections on Art and Materiality
12:00 Mari-Tere Álvarez (The J. Paul Getty Museum)
“The Waystone between Art and Science: Galileo and the Medici”
12:20 Charlene Villaseñor Black (UCLA)
“Painting and Futurity in the Renaissance: The Half-Life of Blue”
12:40 Open Discussion
1:00 Lunch Break
Reflections on Artist and Technology
2:30 Sylvana Barrett (Los Angeles) with Cathy Carpenter (The J. Paul Getty Museum)
“Freedom to Fail: Flat Tablets and Renaissance Drawings”
3:00 Open Discussion
3:20 Coffee Break
Reflections on Artist and Scientist
3:40 Jorge Lazareff (UCLA)
“Representing and Intervening: the Renaissance Brain and the Contemporary Brain”
4:00 Francis Wells (Papworth Hospital, Cambridge)
“Leonardo’s Anatomical Observations: Anticipating the Future”
4:30 Open Discussion
4:45 Closing Remarks
Charlene Villaseñor Black (UCLA)
Mari-Tere Álvarez (The J. Paul Getty Museum)

Advance registration not required. No fee. Limited seating.

Details

Date:
Friday, November 18, 2016
Time:
9:30 am - 5:00 pm

Venue

Royce Hall 314
10745 Dickson Plaza
Los Angeles , CA 90095 United States

Organizer

CMRS
Phone:
310-825-1880
Email:
cmrs@humnet.ucla.edu
Website:
cmrs.ucla.edu